Every day thousands of refugees get to Europe. 

The night, deep, long-lasting darkness, until an island of light appears in the distance: the administrative building of the refugee camp. The site looks like a rural prison.

When I asked Suleymann Ah-ar what problems they had at the moment, he replied: the rationing of the wood and food supplies. 

Through the interpreter I ask her how many children she has. Thirteen. Whether she had a little bar like this in the Sudan? She says yes.

A short drive to our hotel on the banks of the river. A place of transition from the world of the rich and of adjustment to that of the poor. 

The last rays of the orange light change into a deep brown with a light touch of gold, and then abruptly into black. After that now and again a fire in the distance, a sign – people live there.

Prolific press cartoonist, published in some 10 countries: French-Burkinabe Damien Glez has no time to get bored.

Sent by ARTE Reportage to the Breidjing camp for Darfur refugees in eastern Chad, the photoreporter Laurent Van Der Stockt organized a workshop and handed out cameras to ten refugees, male and female, aged from 10 to 33.

The setting for the director's new film is the Burj el-Barajneh refugee camp, in the southern suburbs of Beirut. A city in the city filled to bursting with 30,000 people and their cargo of hopes and dreams. Agnès Merlet depicts the repetitive everyday grind of inhabitants in the labyrinth of the camp, where life never stops, both day and night.